I've
always been
storyteller.

But I never set out to be a photographer. I was (and still am!) going to be a writer. And then as I worked toward that writing goal, someone put a camera in my hand and asked me to try telling stories with something besides words. So with an English nerd's love for character and tone, a romantic's love for poignant beauty, and a realist's love for imperfection, I dove in.

meet LAURA

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I've
always been a
story-teller.

That was back in 2010.

Since that time, photography has changed much of my life. It's brought me some of my dearest friends. It's reshaped the way my husband Danny and I view serving others. It has even literally taken me around the world. One thing that hasn't changed: my soul-stirring desire to tell stories that feel so real you're sure you knew them before you heard them. Or saw them. It's my privilege to tell those stories for my clients, and for the generations of their families still to come.

meet laura

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Put Some Catchlight in Their Eyes | Central Florida Wedding Photographers

Friday, December 7th, 2012

Note: Photographers’ Friday is a weekly blog series directed toward professional photographers, and in some instances, serious amateur photographers. All Photographers’ Friday blog posts will assume that readers have a basic working knowledge of digital SLR cameras, but if you’re left with questions or don’t understand any of the information, don’t hesitate to ask. We love e-mails!


When a portrait subject has a spark in her eye, energy crackles right out of the image.

The technical term for that spark is almost as magical: It’s called catchlight. It isn’t something that we capture in every portrait, but it’s something we want in a good percentage of our portraits when the subject’s eyes are visible, because catchlight makes the subject look so lively, alert, and beautiful. Like this.There are two primary ways to get catchlight in your subject’s eyes:

1.) Tilt your subject’s face toward a reflective surface, such as a sidewalk or light colored wall, or toward the brightest surface in the area, such as a window or the sky (that’s the sunset reflecting in Nikole’s eyes above). We often use handheld reflectors to provide fill light — and often catchlight from the reflector occurs as well.
2.)  Use flash to create an artificial catchlight (that’s 100% off-camera flash that’s reflecting in Amber’s eyes below).This isn’t a technical blog post about the perfect angle to position your subject to get the catchlight at just the right spot in the iris, or what size softbox is going to give you the most pleasing catching from off-camera flash. I  really just want to point out that catchlight is out there — and that you should go searching for it, or create it, at every opportunity. Do I think a lack of catchlight ruins a portrait? Absolutely not. Do I think it enhances every portrait? Absolutely yes.

~ Laura

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