I've
always been
storyteller.

But I never set out to be a photographer. I was (and still am!) going to be a writer. And then as I worked toward that writing goal, someone put a camera in my hand and asked me to try telling stories with something besides words. So with an English nerd's love for character and tone, a romantic's love for poignant beauty, and a realist's love for imperfection, I dove in.

meet LAURA

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I've
always been a
story-teller.

That was back in 2010.

Since that time, photography has changed much of my life. It's brought me some of my dearest friends. It's reshaped the way my husband Danny and I view serving others. It has even literally taken me around the world. One thing that hasn't changed: my soul-stirring desire to tell stories that feel so real you're sure you knew them before you heard them. Or saw them. It's my privilege to tell those stories for my clients, and for the generations of their families still to come.

meet laura

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Five Tips for Photographing Brides Getting Into Their Wedding Gowns | Daytona Beach Wedding Photographer

Friday, April 26th, 2013

Note: Photographers’ Friday is a weekly blog series directed toward professional photographers, and in some instances, serious amateur photographers. All Photographers’ Friday blog posts will assume that readers have a basic working knowledge of digital SLR cameras, but if you’re left with questions or don’t understand any of the information, don’t hesitate to ask. We love e-mails!

I’m going to admit, here and now, that when a bride gets into her wedding gown, it’s one of the most nerve-wracking parts of the wedding day for me. There are so many things to consider. I don’t want to photograph her undergarments . . . or worse. I want to make sure I don’t shoot up or down the bridesmaids’ dresses, too. There are usually a lot of people in a very small space; zipping the gown inevitably happens incredibly fast; and all the while I’m trying to make sure the lighting is beautiful and dreamy.So here’s what I do to get the best shots I can.

1. Turn off all the lights whenever possible and shoot with only natural window light.
2. Make sure the bride knows I’m not going to start shooting until she’s modest — that helps her relax and keeps everyone acting naturally without fear of the camera.
3. Position and re-position the bride and bridesmaids as often as needed to make sure the light is falling where and how I want it.
4. Ask the bridesmaids/mother of the bride to zip/button/lace the gown slowly.
5. Remind the bride — and everyone else — to keep smiling.

While photographing the bride getting into her gown can make me nervous, it often results in some of my favorite photographs from the wedding. So I just try to follow my own advice and work to get photographs that are as elegant as the bride wants to feel on her wedding day!

~ Laura

  1. Leon says:

    This was definitely a good read. Especially as a male photographer. It’s kind of uneasy for me to grab a great shot of the bride getting into the gown. Thank you for this!

  2. Emily says:

    Definitely needed to read this. I seem to get so caught up in wanting everything to be candid, that I don’t take that time to guide my clients, and that can really hurt my images! It takes seconds to relay to them what I want, and it can still be completely candid. But a missed shot can never be retrieved. Candid can certainly still be found after direction is given.

    And thank you for posting all of these photographer tips – it’s so refreshing to see a photographer openly sharing and giving their time to help us newbies 😉 I know I’ve learned things from your blog, and through my friend Lauren! You’ve definitely been a blessing to me.

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